Star Wars Day – aka May the Fourth Be With You, aka May 4th — has much to celebrate this year, not just with the 20th anniversary of the release of Star Wars: Episode III – Revenge of the Sith, but also an unexpected gift in the form of the movie finally crossing $902 million at the box office.
CANNES, France: US director George Lucas (L) and Darth Vader wave at spectators at the end of the … More
Star Wars Day Has Much To Celebrate
Star Wars: Episode III – Revenge of the Sith scored $108 million when it debuted domestically on May 19th, 2005. The film went on to become the second-highest box office earner of the Star Wars franchise at the time, with about $850 million worldwide box office, just behind Episode I – The Phantom Menace’s $924 million.
Now, the 20th anniversary re-release of Revenge of the Sith, timed to the debut of acclaimed season 2 of Andor on Disney+ and Star Wars Day worldwide celebrations, has pushed Episode III to $900 million in total global receipts since its first release.
Last weekend’s $25 million rollout for Revenge of the Sith made it the surprise second-place finisher for the weekend, and it’s gone on to wrack up $52 million from its brief celebrator lap at the box office.
Star Wars By The Numbers
Star Wars: Episode III – Revenge of the Sith is currently the sixth-highest grossing film of the whole Star Wars franchise, out of eleven total live-action theatrical releases.
With more than $10 billion in worldwide theatrical sales, the Star Wars franchise also has five films with grosses north of $1 billion, including one at $2 billion as the fifth-biggest movie in box office history.
As impressive as it is for an 11-film series to sit atop more than $10 billion gross, it’s amazing that with five films north of a billion dollars and a couple of more in that vicinity, on the all-time charts billion dollar business has become so ubiquitous that after The Force Awakens’ #5 ranking the next Star Wars film doesn’t show up until #23, with The Last Jedi. The billion-dollar tier on all-time charts is 59 films long and counting.
Consider that Stars Wars films average more than $1 billion per film, and the only other overarching franchise of comparable size and box office success being the Marvel Studios MCU (Marvel Cinematic Universe).
Here is a quick breakdown of how the Star Wars movies stack up against one another, including both domestic and worldwide grosses…
- Star Wars: Episode VII – The Force Awakens – (2015) $936.6 million domestic, $2 billion worldwide;
- Star Wars: Episode VIII – The Last Jedi – (2017) $620 million domestic, $1.3 billion worldwide;
- Star Wars: Episode IX – The Rise of Skywalker – (2019) $515 million domestic, $1.07 billion worldwide;
- Rogue One: A Star Wars Story – (2016) $533 million domestic, $1.05 billion worldwide;
- Star Wars: Episode I – The Phantom Menace – (1999) $487 million domestic, $1.04 billion worldwide;
- Star Wars: Episode III – Revenge of the Sith – (2005) $35 million domestic to date, $900 million to date;
- Star Wars: Episode IV – A New Hope – (1977) $460 million domestic, $775 million worldwide;
- Star Wars: Episode II – Attack of the Clones – (2002) $310 million domestic, $656 million worldwide;
- Star Wars: Episode V – The Empire Strikes Back – (1980) $291.7 million domestic, $549 million worldwide;
- Star Wars: Episode VI – Return of the Jedi – (1983) $316 million domestic, $482 million worldwide;
- Solo: A Star Wars Story – (2018) $213.7 million domestic, $393 million worldwide.
Star Wars Forever
After Disney’s acquisition of Lucasfilm and relaunch of the Star Wars series, they made nearly $5.5 billion with five movies in five years. While it’s true there were controversies and fan arguments and a lot of toxic attacks against cast and crew, it’s also true that – for anyone who actually lived through the past and hasn’t had their memory erased – the original trilogy and the prequels experienced their own mixed reactions from critics, audiences and fans.
TOKYO, JAPAN – DECEMBER 11: (L-R) Katherine Kennedy, J.J. Abrams, John Boyega, Daisy Ridley, Oscar … More
The Empire Strikes Back was hardly the widely beloved, acclaimed, fan-favorite it is today (not that anybody ever admits to being among the early uncertain or mixed or outright angry voices, as usual everyone will tell you they were for it all along). Likewise, The Return of the Jedi had its share of detractors. Fans regularly have debates about which of the original films ranks at the top and which at the bottom, and such things were even more common at the time of release and the early years after release.
The prequels, of course, were a nest of controversy and fan arguments, since the Internet had recently came into widespread use and those with axes to grind or complaints to lodge had a whole new and larger audience to broadcast to.
My point is that Star Wars, like any franchise that has been around a long time and established a lot of legacy and mythology, and which is mostly beloved around the world by a large and diverse audience and fanbase, isn’t really in much of a different place now than it ever was.
Even the box office, while obviously dropping from one film to the next, remained in the billion-plus dollar range, and even adjusting for inflation the entire series has tended to play at around the same level consistently, winds up with similar ratings and reviews overall, and yet each new trilogy and generation and media era treats it like something new is going on.
If we consider the Star Wars streaming series, both live-action and animated, the modern revival of the franchise has put up additional impressive numbers and released fabulous shows that continue to innovate and build a great expanded world.
Starting with the final three seasons of the animated The Clone Wars series, the Disney era of Lucasfilm continued with animated series Rebels, Resistance, and The Bad Batch. In live-action, 2019 saw the arrival of The Mandalorian, followed by The Book of Boba Fett, Obi-Wan Kenobi, Andor, Ahsoka, The Acolyte, and this year’s Skeleton Crew.
All of these series were somewhere from good to very good to great. All of them, including the ones attacked by a corner of toxic fans who hurled racism, sexism, homophobia, and overall bigoted infantalized rage at the fact imaginary magic people with laser swords didn’t singularly reflect these fans’ own faces/skin/preferences back at them. It’s amazing how often franchises are begged to take risks and try new things, and then face backlash from myopic people who hate change – and who seem not to grasp what Star Wars is about, casting their “fandom” in question.
Star Wars was always political. The Empire are Space Nazis, and the Rebels are the good guys because they fight Space Nazis. That isn’t a controversial statement and it’s not politicizing Star Wars, because it’s a statement of fact about the inherently political nature and messaging of Star Wars. Pretending otherwise is dishonest and counter-factual. If some people didn’t realize that until now, that’s their fault and their problem.
There are of course plenty of valid criticisms of these shows and films, don’t get me wrong. I’m talking about loud controversies against specific shows that sank them – The Acolyte coming under attack from hate-speech and false extremist behavior, for example.
Star Wars fans wearing costumes from the film take part in a parade as they celebrate Star Wars Day … More
We live in a time where we get – finally, after a lifetime of waiting for generations of fans, 48 years since the original film first hit theaters in 1977 – Star Wars TV shows, filling in all of those stories we’ve wanted and wondered about, looking as good or better than some of the films. Again, every generation of new Star Wars films or anything else goes through the same underappreciation and debates mixed in with love and blockbuster business, and by the time the next trilogy has arrived everybody is nostalgic for the previous trilogy suddenly.
The truth is, we wind up loving most of it, eventually, and still liking most of what we don’t love. Very little from Star Wars has ever been outright bad, even when it has obvious flaws. If you say the Star Wars Holiday Special (which, full disclosure, I own in a nice digital transfer) and/or the Ewok spinoffs were bad or close to it, I wouldn’t argue with you. But we are now living in paradise as a fans, and any notion Star Wars is in real trouble or needs major overhaul is overstated. The mistakes and problems exist, but it’s not nearly as much of a mountain or danger as it’s made out to be – it’s comparable to the silly “sky is falling” rhetoric every so often around Marvel.
Case in point, one of the prequels just came in second place at the weekend box office 20 years after its release, and the new second season of Andor is considered by many critics and fans to be one of the best things ever made within the Star Wars universe. Star Wars is as healthy now as it was while the prequels were being released, if not more so, whatever else can be said and whatever course corrections need to be made.
So happy Star Wars Day tomorrow, fellow fans, and May the Fourth Be With You, always. In honor of this year’s anniversary, consider having a two-fer Tuesday with Revenge of the Sixth – there’s a new four-episode season of Light & Magic on Disney+, with amazing behind-the-scenes footage from the making of the prequels, and it will change your perception of a lot about them, including a surprising amount of gorgeous detailed large-scale miniatures and sets that you probably thought were CGI.